De la Pompe, roman pompe, pompe électrique

DE LA POMPE

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Rue de la Pompe is a station on line 9 of the Paris Métro, named after the Rue de la Pompe. The station opened on 8 November 1922 with the opening of the first section of the line from Trocadéro to Exelmans.

This Passy street is mentioned in the archives of 1730 as a way of skirting the walls of the Château de la Muette. It led to one of the gates in the wall surrounding the Bois de Boulogne. It was called the old path, but was transformed at the end of the 18th century into a street and was named after the pump (French: pompe) that supplied water to the Château de la Muette.

Nearby are the Lycée Janson de Sailly (a prestigious high school) and the town hall of the 16th arrondissement.

Residence of famous people

The house with number 1 lies in the southern part of the street and (with view from there) on the left side. Brigitte Bardot has spent a part of her childhood here.[1]

Just a few steps further on the same side of the street – at the place where today is house number 11 – once stood a country house in which the writer and journalist Jules Janin moved around 1850: "It surely needs a lot of courage to settle in this wilderness, on a scarcely discernible way. The first three winters we have spent alone here, surrounded by this frightening isolation and this total silence."[2]

In direct neighborhood grew up at nearly the same time the writer and caricaturist George du Maurier who was born on March 6, 1834 in Paris. In his first novel Peter Ibbetson (published in 1891), which has some autobiographical tendencies, the author is telling about happy days of childhood in the Rue de la Pompe:

"Our house, an old yellow house with green shutters and Mansard-roofs of slate, stood between the garden and the street - a long winding street ... on either side of the street (which was called "the Street of the Pump"), as far as the eye could reach looking west, were dwelling-houses just like our own, only agreeably different; and garden walls overtopped with the foliage of horse-chestnut, sycamore, acacia, and lime; and here and there huge portals and iron gates defended by posts of stone gave ingress to mysterious abodes of brick and plaster and granite, many-shuttered, and embosomed in sun-shot greenery."[3]

Not only his granddaughter, the writer Daphne du Maurier, was of the opinion that his depictions brought to life again old Passy and the Rue de la Pompe: "Kicky … was a happy little boy – or so he believed, when fifty years later he wrote about his childhood in Peter Ibbetson – and the scents and sounds of pre-imperial Paris, the rumble of wheels on cubbled stones, the crack of a whip, the white dust at the corner of the Rue de la Pompe, the chestnut trees in flower – even the small burnt bread, black coffee, and tobacco on the warm spring air – rise from the pages of his novel …"[4]

Wistfully, George du Maurier has also dealt with the rapid alterations, Passy had been involved - especially as a result of the annexation to Paris on January 1, 1860. 12 years after he had been taken away from his beloved Passy to London by his uncle, his protagonist Peter Ibbetson returns to Passy for the first time: the old house was no more, but in its place a much larger and smarter edifice of sculptured stone. Also from the trusted apple-tree remained the stump only. But the old gate at least had not disappeared. "I feasted my sorrowful eyes on these poor remains, that looked snubbed and shabby and out of place in the midst of all this new splendor."[5]

The old park hedge, which they often had crossed through a gap inside it, to get faster to and from the Bois de Boulogne, had also disappeared and "the very park itself was gone, cut up, demolished, all parcelled out into small gardens with trim white villas, except where a railway ran through a deep cutting in the chalk. A train actually roared and panted by, and choked me with its filthy steam as I looked round in stupefaction on the ruins of my long-cherished hope."[6]

Some decades letter grew up another writer in the same street - and his childhood memories sound very similarly atrabilious like the narration by Du Maurier: "When I stroll around Passy I feel like wandering inside myself and always I am faced with my own childhood."[7]

With the same melancholy, Du Maurier felt a century before, Julien Green is also writing about the many changes his home has suffered in time: "It is amazing how a quarter century could deprive all the former charm from this part of town. I know that it is useless and ridiculous to moan about vanished stones, but my impression is without leniency when I have a look at these tenements which are now occupy the heights in which I remember to have seen many old-fashioned elegant villas, and gardens who kept their silence and the singing of the birds like treasures."[8] "And when I stroll down from the heights of Passy to the banks of the Seine, I sometimes ask myself where I am and if I have not dreamed."[9]

Green lived on the left side of Rue de la Pompe (there where the odd numbers are) and visited Lycée Janson de Sailly with number 106, just across the street. Because he heard nothing but English at home (his parents were Americans) and nothing but French in school, Green described the Rue de la Pompe as "my Atlantic Ocean".[10]

Also in opposite to the mentioned high school lived the French general Joseph Jacques Césaire Joffre (1852-1931) for 10 years, as a commemorative plaque on house number 115 reveals.

Virginia Oldoini, Countess di Castiglione, an early photographic artist, secret agent, courtesan and mistress to royalty, was bought a small house on the street by Napolean III in 1857.

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chaussures de sport, NIKEiD

J’ai testé pour vous…NIKEiD
In Chapeau Péruvien n'est pas une grosse pouf mais bon quand même..., Les trucs de Geeks de Chapeau Péruvien on mars 4, 2009 at 9:02
Vous avez sans doute entendu parler une fois dans votre vie de NIKEiD, un service proposé par la marque de sport NIKE qui permet de se fabriquer sa propre paire de NIKE sur le web ?

Et bien la semaine dernière, j’ai testé pour vous la fabrication et la commande de la paire de NIKE de mes rêves que mon papa et ma maman vont gentillement m’offrir pour mon anniversaire dans 10 jours. Bon, ce n’est que la première étape du test puisque je n’ai pas encore reçu les shoes. Mais parlons-en quand même et puis la suite au prochain épisode.

En fait c’est tout simple, tu vas sur le site de NIKEiD, si tu es un homme tu cliques sur HOMMES et sur VUE D’ENSEMBLE et si tu es une femme, tu cliques sur FEMMES puis sur VUE D’ENSEMBLE. Là tu te retrouves face à une tonne de paires de pompes différentes, tu choisis celle qui te plaît le plus en cliquant dessus et tu te retrouves face à la pompe de ta vie, toute grisounette.

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Ever thought about the shoes that you wear to the gym? Of course you have. You've actually spent some time thinking about which shoes to wear, and you probably have a pair designated as your 'gym shoes'. How did those shoes earn that illustrious title and serve such a noble purpose? Suitability for the task? Performance enhancement? Safety? Not usually. Comfort and looks seem to be the main criteria associated with gym shoe choice. This is a problem if your training includes any free weights at all. Most of us would never consider wearing a pair of Bruno Magli's to play racquetball. They are built to look good, not to perform well on the court. While this may be obvious to some, many of us will make an equally poor footwear decision and wear running shoes to the gym to lift weights.

Proper footwear in the gym is important, especially if you are lifting free weights. When we lift weights we want two things to happen: (1) all the force our body produces under the bar should contribute to moving the weight and (2) the weight needs to be controlled in a safe manner. If we lift in a running shoe, it's akin to trying to lift while standing on a giant marshmallow. The soles of the running shoes, the marshmallow, will absorb and dissipate a large amount of the force generated against the floor that should be directed towards moving the weight. A gel or air cell shoe is a great thing for reducing the impact shock that causes the repetitive use injuries associated with running. But in the weight room, shoes should provide for the efficient transmission of power between the bar and the ground. You can't lift as much weight in the wrong shoes.

The second issue is control of the weight - and your body - while standing on an unstable surface. A compressible medium placed between the feet and the ground will behave inconsistently enough during each rep to alter the pattern of force transmission every time. This means that the subtle points of consistent good technique on any standing exercise are impossible to control. And there is an increased chance for a balance or stability loss-induced injury while lifting heavy weights, since perfect balance cannot be assured on an imperfect surface.

Weightlifters and powerlifters have known this for more than 50 years, although the shoe choices available for their purposes were formerly quite limited. Until the 1970's, combat boots, Chuck Taylor's, and even patent leather oxfords (see old photos of Paul Anderson) were the shoes used for lifting weights. To be stable and perform optimally, a weightlifting shoe needs to be snug fitting, provide exceptional support, and have a noncompressible wedge sole with neoprene or crepe for traction against the floor. Most will lace all the way down to the toe for adjustment to individual foot width, and will have an adjustable strap across the metatarsal area for added lateral stability. When Adidas from Germany and Kahru of Finland became available on a limited basis in the US, weightlifters finally had the opportunity to use equipment specifically designed for their activity. High topped and not especially stylish, these shoes had minimal appeal to the fashion conscious, but lifters loved them because they worked.

But there was a scheduling problem: the gym and fitness club industry had just been revolutionized by the simultaneously-evolving exercise machine industry. Having removed the factors of balance, coordination, and technique from the equation, exercise machines temporarily sidelined the development of weight training shoes. Over the past two decades, free weights and the benefits of their use have crept back into gyms and fitness clubs everywhere. The need for weightlifting shoes re-emerged without a supply beyond the stalwart Adidas corporation's Power Perfect, Equipment, and Adistar models. Other major shoe brands like Nike, Puma, and Reebok began to experiment with weightlifting shoes. A number of foreign brands such as Do Win (China), and Power Firm (Canada), as well as the American company Safe-USA have also competed for a share of the growing US market. All these companies offer shoes that are designed for competitive weightlifting or powerlifting, but that are good for all basic lifts, especially the squat, given their exemplary support and incompressible heel design. A variety of powerlifting shoes with essentially flat soles and no heel lift, much like track flats or wrestling shoes, are also available from powerlifting equipment houses like Inzer (USA), and also work for basic exercise purposes. These shoes are less suited for squatting, since they require that you have better than average flexibility to squat in them, but they are excellent for floor work and standing exercises.

Another pair of shoes to buy? Is it really worth it? Yes. Effective training yields superior results. Safe training yields fewer training injuries. The logic is inescapable. For as little as $40 for a pair of old-school Chuck Taylor's or as much as $170 for the state of the art Adidas shoe, you can have the right shoe for the right job. The right shoe is important for performance and safety, and for as little as half the cost of a premium running shoe, you can look and lift like a pro.

Solid sole design and micro-adjustable arch support make today’s economy lifting shoe perform on par with more expensive, stylish, and sought after premier shoes but the old standbys still work.

Top Left - Adidas Adistar ($170).

Top Right – Inzer Pillar ($115).

Center Left – Werksan lifting shoe ($99).

Center Right –. VS Athletics lifting shoe ($50).

Bottom – The most economical choice, the Converse Chuck Taylor® All Star ($40)

Weightlifting Shoes 101